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"What
do you do?" "I do Photo Illustration." Silence.
That's
the usual reaction I get from people when I tell them I do photo
illustration. Even from many art directors and designers. There
doesn't seem to be a clear idea of exactly what photo illustration
entails.
Ok, here's
my simplest definition of "Photo Illustration":
Bringing photos into the computer and doing something with them
other than corrections. This may be nothing more than taking
an existing straight photo and giving it a toned look. Or it may
mean photographing a variety of objects/people, bringing them into
the computer and working them into a collage. It may involve applying
techniques that make a straight photo appear to have been illustrated
by hand. The possibilities are endless.
The Process
This starts
with the client who has a message they want conveyed via an image.
They may have nothing more than the message to be conveyed and/or
some rough sketches of "possibles". Or they may know exactly
what they want and have it clearly laid out in a drawing and already
have the photos. I have worked in all of these situations and everything
in-between.
After the initial
meeting in which we talk about the concept(s) and possible directions
the illustration could take, I photograph and/or collect the necessary
images, digitize and bring them into the computer. From there I
usually work up a number of "versions". Then I meet with
or e-mail the client with the different versions and we discuss
how it's "working". Assuming we're on the right track,
I will then take the best version and "tweak" the illustration.
Then show and discuss. More tweaking and so on until the client
is satisfied.
What I
bring to the process
I believe
my greatest strength is the ability to listen to, and understand
what the client wants to convey and then having the creative talent
and collaborative mindset to produce an illustration that fulfills
that need. Even when the client has solid sketches of what they
want there are still many creative decisions to be made during the
building process.
Many art directors/designers
have concerns about how "difficult" creative talent may
be to work with. I am in no uncertain terms EASY TO WORK WITH! I'll
give my reasons why I think things should be this way or that but
in the end you know what's going to work best for your client and
you're footing the bill. If I want to produce something that doesn't
have to please anyone but me, I'll do it on my own time, not yours.
A
trusting, collaborative creative effort is what it's all about.
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